pages: unmaskingrobert00houdgoog.pdf, 295
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unmaskingrobert00houdgoog.pdf | 295 | THE UNMASKING OF ROBERT-HOUDIN "Memoirs"; and while he does not feature exposures of tricks in this work, he offers, in passing, explanations of tricks and automata presented by other magicians. For the most part these explanations are obviously incorrect, and so prove that he was ignorant of certain fundamental principles of the art in which he claimed to have shone. In the introduction of the American edition, published in 1850, Mr. Mackenzie, the editor, thus apologizes for one of Robert-Houdin's most flagrant mistakes in tracing the history of magic: "One error which M. Houdin makes must not be passed over. His account of M. de Kempelen's cele- brated automaton chess-player (afterward Maëlzel's) is entirely wrong. This remarkable piece of mechanism was constructed in 1769, and not in I796; it was the Empress Maria-Theresa of Austria who played with it, and not Catherine II. of Russia; it was in 1783 that it first visited Paris, where it played at the Café de la Regence; it was not taken to London until 1784, and again in 1819; it was brought to America in 1825, by M. Maëlzel, and visited our principal cities, its chief resting- place being Philadelphia; M. Maëlzel's death was in 1838, on the voyage from Cuba to the United States, and not, as M. Houdin says, on his return to France; and the automaton, so far from being taken back to France, was sold by auction here, finally purchased by the late Dr. J. K. Mitchell, of Philadelphia, reconstructed by him, and finally deposited in the Chinese Museum (formerly Peale's), where it was consumed in the great fire which destroyed the National Theatre (now the site of the Continental Hotel, corner of Ninth and Chestnut Streets), [ 266 ] |